Radio Creme BruleeThe peril of the wrong lead single for an album
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The peril of the wrong lead single for an album

23 January 2012 3 Comments
This blog belongs to Radio Creme Brulee – an internet music radio station that broadcasts globally.

Record labels decide on what the singles off an artist’s album will be – especially the album’s lead single. The lead single plays a very critical role in the ability to “sell” an album. In general, when the lead single is weak, the impression it gives listeners is that there is nothing on the album worth listening to. This could essentially render the album “dead on arrival”. Over the past decade, record label executives have demonstrated an appalling lack of judgment with choosing singles from an album and in effect, have undermined the artistic impact of their “clients”. Each of these decisions has been driven by a desire to “position” artists in a certain manner as opposed to a desire to showcase the artists’ core musical competencies. It would be wrong to make an observation like this without offering some noteworthy examples.

1.Call On MeJanet Jackson featuring Nelly: This was the lead single off Janet Jackson’s 2007 album “20 Y.O.” – the follow-up to the commercial disappointment that was Janet’s “Damita Jo“(2004). Janet’s label was desperate to launch her back into the limelight with a strong lead single. Unfortunately, to the record executives, the word “strong” translated to featuring Janet’s collaboration with “flavor of the moment” artist Nelly. The song was “pleasant enough” but was not exactly going to set the charts on fire. Any Janet Jackson fan would have picked up on that immediately. “Daybreak” was the obvious choice as it leveraged the classic, unique, and timeless sound that Janet had honed over the 90s. Yet, the record label chose to capitalize on the “Nelly factor”. The fact that their end-goal was to promote Janet as a solo superstar seemed to be overshadowed by their blind acceptance of the idea that a duet with Nelly would “do the job”. We have a clip of “Call On Me” below:

Sadly, we were unable to find an embeddable video of “Daybreak” by Janet Jackson but THAT is the song you want to check out. Give the song a spin and you will quickly realize that “Call On Me” was a poor choice for Janet’s lead single off “20 YO”.

 

2) Want – Natalie Imbruglia: Aussie Actress-turned singer Natalie Imbruglia continues to be synonymous to her debut hit single “Torn”. This is an unfortunate reality because Natalie Imbruglia only truly started to blossom as a singer and songwriter with her sophomore album “White Lilies Island“. While the rest of the world continued to show interest in her, the US had completely forgotten about her and she adorned the unfortunate tag of being a “one hit wonder”. Her third album “Counting Down The Days” won considerable public and critical acclaim in the UK. Yet, her “Greatest Hits” collection completely fell off the radar and the new singles off that collection went relatively unnoticed. 2009 was supposed to be her big year – the one that reminded both fans and casual music listeners that she was indeed back.

Come To Life” was the album that was to launch Ms Imbruglia back into the limelight. The album’s conception comprised the work of a stellar ensemble of musical talent that included hit-producers Brian Eno and Ben Hillier and songwriting input from Coldplay frontman Chris Martin. There was no way Ms Imbruglia could NOT come out on top. Yet, her record label picked a track that positioned her in the same sphere as her contemporary Kylie Minogue. The track, “Want” has a pulsating beat and deviates heavily from the acoustic pop/rock signature sound that Natalie has nurtured over the years. Yet, it suffers from a mind-numbingly repetitive refrain and lasts almost till the end of the song. Once again, an obvious first choice of single, “Lukas” was shelved for “Want”. “Lukas” has been penned by Chris Martin and sounds like something on a Coldplay album. Giving this song away to Natalie Imbruglia is by far one of the most significant acts of  generosity and yet this gift was not capitalized on. The track is a winner on all fronts and yet, better sense did not prevail when it was discarded in favor of “Want”. This miscalculated move may just have prematurely ended the marketing campaign for Natalie Imbruglia’s “Come To Life” album even before it began. We have a clip of “Want” below. The clip is an audio clip. Check out the music video on youtube. Natalie Imbruglia is insanely gorgeous in the video. Unfortunately, Ms Imbruglia’s gorgeousness does not hide the monotony of the song.

 

And here is the amazing “Lukas“!

 

Isn’t there a clear winner here between the two singles?

3. Kajagoogoo – “Rocket Boy”: In 2005, the members of new wave band Kajagoogoo (famous for their 80s hit “Too Shy”) were reunited by VH1 on the VH1 television show “Bands Reunited”. Their performance at the Scala Theatre in London was all the evidence that was needed for fans and the mainstream media to realize that Kajagoogoo were a bunch of accomplished musicians and had what it took to get a crowd going with their music. Unfortunately, it seemed like the newly established camaraderie between the band members was starting to dissipate soon after it had been created and the first Kajagoogoo album in years ended up only featuring three of the original band members – bass player Nick Beggs, guitarist Steve Askey, and keyboardist Stuart Neale.  That album was “Gone To The Moon”. It marked Kajagoogoo’s foray into a “modern” new-wave approach to their music yielding some very substantial results. Unfortunately, their album’s lead singe “Rocket Boy” is not an accurate reflection of their successful transition to the new millenium. It was imperative for the band to release a killer single to prove that they were back and better than ever – and the song that would have done exactly that for Kajagoogo was “The Last Day”. It is a modern electronic rock track featuring Nick Beggs on vocals and cloaked in lush and ambient soundscapes. Rarely has ambient music been used so creatively in rock music. Sadly, the average listeners did not get to hear this. Here is a clip of “Rocket Boy” by Kajagoogoo.

 

And here is Kajagoogoo’s lost opportunity “The Last Day“.

 

Do we have a point or not?

 

4. Duran Duran – “All You Need Is Now”: In this era of instant gratification with regard to music, it becomes very imperative to get your ENTIRE song right and not just parts of it. The song cannot afford to have any “lulls” – especially if the aim of the band is to get their song on to the radio. Listeners are inherently skeptical of anything that is new and simply do not have the patience to wade through underwhelming verses in anticipation of fantastic choruses. They will tune out. That being said, they are probably more likely to be forgiving if their first impression of new material has been positive and has been created by singles that dealt a strong punch through the entire length of a song. New wave maestros Duran Duran should have considered that when they picked the title track of their 2010 album “All You Need is Now” to be the album’s lead single. The chorus of that song leaves you longing for more but the verses are not easy on the ears. Furthermore, the song comes across as two dissimilar songs stitched together – one song containing the verses and the other containing the chorus. Many Duran Duran fans (me included) heard the chorus in advance of the song’s release and could barely contain our excitement – only to be disappointed with the verses when the song was given its official release. After having heard the rest of the album, it became fairly obvious that the uptempo “Girl Panic” should have been the band’s choice of a lead single. Big synths, big choruses, and the trademark sound that Duran Duran had first created for themselves when they first became international megastars in the early 80s. “Girl Panic” was every bit the bridge between the Duran Duran of 1982 and the Duran Duran of today. Unfortunately, “All You Need Is Now” did not win anyone besides the hardcore Duranies and that might have undermined Duran Duran’s ability to cross over to the non-fans or the skeptics. Interestingly enough, Duran Duran did release “Girl Panic” as a single almost a year after the album was released and had an accompanying music video featuring supermodels such as Naomi Campbell, Cindy Crawford, and Yasmin LeBon. Quite a bold move at a time when the relevance of a music video has become questionable at best – but true to the tradition that earned Duran Duran their place in the history of music video and pop culture. It almost seems like Duran Duran implemented their sequence of events in reverse order. Here is a clip of “All You Need Is Now”.

 

And here is the amazing “Girl Panic“!

 

 

 

It looks like picking wrong lead singles was not just a phenomenon of the past decade. There were the occasional instances of this happening even in the some of the more glorious decades for pop/rock music. Here is one rather unusual example.

Dead Or Alive – “Brand New Lover”: 80s glam-pop band Dead Or Alive rose to prominence with their hit single ‘You Spin Me Right Round”. This song was the lead single of the band’s album “Youthquake”. It propelled the band towards global success giving them a cult following in Japan. The band’s music had an infectious sound that made the dancefloor irresistible to just about anyone and everyone. The androgynous lead singer Pete Burns was a force to be reckoned with. It seemed like the magic of “Youthquake” would repeat itself with the band’s third album “Mad, Bad, and Dangerous To Know”. Like its predecessor, this album was produced by the hit-making production team of Stock, Aitken, and Waterman (popularly referred to as SAW). Unfortunately, the band picked “Brand New Lover” to the album’s lead single. While the song itself is good, it sounds like a complete rehash of “You Spin Me Right Round”. While the song did chart in the US top 20 (mostly on the strength of the momentum generated by the “Youthquake” album), it marked Dead Or Alive’s last presence on the American charts. To anyone that has listened to the album “Mad, Bad, and Dangerous To Know”, it would become obvious fairly quickly that the song that should have been the lead single was “Then There Was You”. The song sounds very different from the band’s signature hit “You Spin Me Right Round” and goes as far as making that song sound lame in comparison. The synthesizers, the heavy drum beat, and the hypnotic voice of Pete Burns come together in a pool of musical brilliance which should have sent Dead Or Alive back up the charts to the #1 spot in several countries. Not releasing “Then There Was You” as a lead single (or a single at all) was an unfortunate oversight. Here is the video clip for “Brand New Lover”

 

And here is an audio clip of  “Then There Was You“.

 

Are we right or ARE WE RIGHT????

Are there any other bad choices of lead singles that you are aware of? If so, please feel free to share those with us via our comments section below. Meanwhile, if you want to discover more singles that “could have been”, give our online radios station a spin by clicking on the button below.

 


3 Responses to "The peril of the wrong lead single for an album"

  1. Mark says:

    Interesting discussion. Firstly I’m glad Janet Jackson’s been flopping-she hasn’t been great since 1989 and has been getting lucky for yes but then the US always does have an overinflated opinion of its own acts and leaves them charting for way too long. With Duran, that first single is fine, it’s experimental and just needs to grow on one. I think there’s too much emphasis on quality tracks first, as today people buy any old trash by the acts that seem to stick like diarrhoea to charts whether they’re worth it or not, and usually not-(N)one Directon-fine example. With Duran, this album is full of singles, but they’ll not be allowed to take many of it-even in their heyday” they never got more than 3 off-absurd when Depeche Mode, Simple Minds, U2, Cure, Madness, nasty Madonna, Eurythmics etc. seem to release a WHOLE side of singles! I’d have loved most of them released on ‘All You Need Is Now’ album.

    I’d say record labels were better about in past times, though they crapped up in 1989 for ex-Bananarama girl Siobhan Fahey when they prefered ‘Break My Heart’ over the excellent ‘Heroine’ but she complained and a compromise came in them together as a double A-side. MCA really screwed up Kim Wilde, as did RAK before, when follow-up singles to leads like ‘Can’t Get Enough’ and ‘House Of Salome’ are not promoted as singles! Mind you with other simpler people, like Kylie Minogue, it barely matters as all her songs sound the same anyway!

    I think we should start another topic/topics based on this-like Album Tracks That Should Have Been Singles and B-Sides aswell. And maybe Albums That Should Have Had More Singles From Them!

  2. Mark says:

    Forgot to add that Polar were pretty dumb with Abba. Barely any singles were promoted from their breakthrough single ‘Waterloo’ when two were listed elsewhere and the UK got nothing and ‘Dance (While The Music Still Goes On)’ never got to be one. Fast forward to 1976 when only 3 came off their massive ‘Arrival’ album-astoundingly odd and ill-judged when the album before had 4 singles off it. ‘When I Kissed The Teacher’, ‘Tiger’, ‘That’s Me’ etc. singles all over the album. Even with their last albums, ‘On And On And On’ wasn’t made a double-A side, and ALL the fanatstic ‘Visitors’ singles (4 in all) seemed only selectively measured for a few markets! Jesus.

  3. Chad says:

    I have to completely disagree with you on Dead Or Alive’s Brand New Lover. I was living in Nashville at the time this came out, and it had been 3 years since “You Spin Me Round:. The radio stations ate it up and it became almost as big a hit as YSMR. In fact, it was played to death at our redneck, hick country Prom and I remember all our friends having it. Then There Was You is a good song, but would have gone NO WHERE because SAW’s production was all over the airwaves in 1987. And this was not their last time in the charts in the US. Come Home With Me Baby charted in 1989.

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