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Impediments to curators that are not corporate giants

Imogen Heap reinvents the concert format in the image of her distinct brand in New York City

Flavors of pop music fandom in the era of Twitter

Lighthouse Family pushes forward their sonic narrative on “My Salvation”

Robbie Williams finds a city that embodies his spirit in Las Vegas

Should Spotify be the single destination for music discovery?

Take That’s “Odyssey” is a symbol of gratitude to fans

Simple Minds takes Austin by storm in a three-hour long rockathon

Clean Bandit’s “Baby” is an exhilarating tale of wistful longing

“Life” by Boy George and Culture Club just might be the album of 2018