This album review is by guest blogger David Tudor In 2018, Aussie pop queen Kylie Minogue‘s chronological milestone (she turned 50) almost coincided with a professional milestone – in the...

Date: June 19, 2019 Venue: Terminal 5 (New York City) Tour: Still On My Mind Tour The return of British chanteusse Dido with a new album titled “Still On My Mind” (her fifth album) was undoubtedly...

In our post listing artists/bands returning with new music in 2018, Aussie pop princess Kylie Minogue was at the top of that list. In a music career that spans almost 30 years, Kylie Minogue has not n...

It is becoming increasingly clear with the passing of each year, that the terms commercial and credible are largely mutually exclusive as it applies to pop music. There are very few new artists/bands ...

On July 16 2015, an article titled “Why Didn’t Take That Take Over America” was published on Billboard.com – the premium (albeit somewhat geocentric) news source for the US as ...

Back in February 2013, we published an article titled “The rampant trend of ageism in modern pop music”. Of late, we have seen a resurgence of interest in that article and most of it seems to be c...

This guest post is by Quentin Harrison from The QH Blend. It was originally published a year ago but it is still as relevant today as talk about a new Kim Wilde album )slated for release this year) ...

“We’re not writing a retirement record” – said Gary Barlow, the undisputed frontman of Take That – one of UK’s hottest exports and the greatest comeback act in pop ...

The only reason that the sales of a well-promoted album by a global superstar should be underwhelming is because the material on the album is substandard and uninspired. The worst reason for an album ...

In an ideal world, collaborations in pop music should be aimed at artists with complementary competencies building off of each other to create a song or musical work that goes beyond what they could h...